Simon Pegg
Dead Reckoning Part One is a vigorous dose of action filmmaking at its finest.
The seventh and penultimate installment in the Mission: Impossible film series.
The seventh and penultimate entry in the long-running Mission: Impossible series.
We spoke with director Vaughn Stein about his upcoming film Inheritance, working with Simon Pegg and Lily Collins, his next film, and more.
There are a number of great movies focusing on mental illness and how we should treat it, but unfortunately Lost Transmissions isn’t one of them.
In Inheritance, a patriarch of a wealthy family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel their lives.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
In his second installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal looks back at the two faces of fascism within Hot Fuzz.
In his first installment examining Edgar Wright’s “Cornetto Trilogy”, Faisal looks back at the chaos and conformity within Shaun of the Dead.
Straight from Tribeca 2019, Kristy Strouse reviews All I Can Say, Bliss and Lost Transmissions, and spoke with Simon Pegg on the red carpet.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.
Mission: Impossible – Fallout finds Tom Cruise once again flying through action setpieces for our amusement; it is more than worth the ride.
Inspired by Alice’s Adventures In Wonderland, Terminal is visually and thematically strong, despite its over-simple script and occasional over-acting – all in all a promising directorial debut for Vaughn Stein.
The Cornetto Trilogy are not only some of the funniest films this century, but they also convey important themes about life and maturity.
Kill Me Three Times is a film which is the right step forward for Australian cinema, done in the worst way possible. For the past decade, Australia has lacked films that have managed to cross international borders and bring new talent to life, which is a process which used to happen back in the day, from George Miller to Phillip Noyce. The only significant films of the past 10 years to really make any impact are David Michôd’s Animal Kingdom, which reminded audiences and filmmakers of the acting talents of Ben Mendelsohn and Jacki Weaver, who have become international stars.