silent film
Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
Welcome to A Century in Cinema, the monthly column where I’ll be discussing films from…
Diehard Western fans will find The Covered Wagon worth their time, but for the casual film fan there may be more enjoyable films to check out.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
F.W. Murnau’s undeniable classic Nosferatu is a chilling, unsettling experience and a true case of mise en scène artistry.
From Murnau’s inventive visual storytelling to Jannings’ wonderful performance, The Last Laugh is the perfect film to begin one’s journey into the world of Weimar cinema.
With the Cohen Film Collection’s release of Sherlock Jr. and The Navigator, both of these films are brought to life in such clean and remarkably crisp restorations.
The Colour of Pomegranates is not only a window into the age of silent cinema, transplanted to 1969 but a window into a new way of thinking.
After its premiere at the Queens Short Film Festival, Film Inquiry’s Samantha Celentano got to speak to the writer and lead actor of Oatmeal, Martha Frances Williams, as well as the director Alessia Gatti.
Harold Lloyd is among the great silent comedians, and his work, which also spans into talkies, should speak for itself.
When I was younger and just starting to get into classic film, I found a copy of The General at a local DVD store. Watching it later, I still remember the exact moment when I was captivated by Buster Keaton’s unique charm and screen presence. In the film’s first extended action sequence, Keaton is chasing after a troupe of Union soldiers who had infiltrated and stolen his train, and in a series of fast-paced, whirring motions, he narrowly escapes one mishap after another.
When The Artist won Best Picture at the 84th Academy Awards, it became only the second silent film to win that award. That’s because silent films were already almost passé by the time the first ceremony was held. The end of silent films was swift and fast, their production gone in almost no time.