Shudder
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
Kyle Edward Ball’s Skinamarink is a truly singular experience, one that will leave you absolutely haunted.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
We spoke with the very talented cinematographer of Lucky, a new horror-satire, Julia Swain.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
While reluctant to dive deeper into the effects of violence in the media, Random Acts of Violence offers plenty of fun to make it unmissable.
La Llorona, the latest from Jayro Bustamante, is a tonally audacious and proudly solemn horror film infused with transfixing political weight.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.