Showtime
Stakes are suddenly higher than they’ve ever been, in Homeland’s latest outing: “Chalk One Up”.
In an episode that somehow pulls at the reigns while simultaneously cracking the whip, Homeland viewers are pulled back and forth between compelling choices and questionable ones.
This episode of Homeland leaves us wondering if perhaps, the show may finally be coming to understand the responsibility in commenting on volatile real-world situations.
Showtime answered the pleas of many – the return of Alice, Bette, and Shane alongside new, engaging characters graced the small screens in the sequel, The L Word: Generation Q.
On Becoming a God in Central Florida reminds us that even though money is one of the most fundamental things in this life, it can also be a very venomous dagger that distorts your worldview.
With the continuation of last week’s vibe, episode 7, “Down Like The Titanic” distributes another Shameless highlight of season 9.
After nine seasons, we say goodbye to one of the Gallaghers in what is easily the best episode of this season of Shameless thus far.
With William H. Macy taking the director reins this week, episode five of Shamless gives viewers glimmers of the familial ties that keep this show from going off the deep end.
“Do Right, Vote White!” marks Shameless’s 100th episode and it does so with the style we’ve become accustomed to.
While providing some fun, the “Weirdo Gallagher Vortex” will keep your attention, though it doesn’t really feel like a step forward, leaving viewers waiting for the Shameless we’ve come to love.
Even though this week’s episode goes a bit downhill, Shameless has plenty of laughs as the Gallaghers try to navigate life, with plenty of room for the cast to shine.
“Are You There Shim? It’s Me, Ian” doesn’t deliver the sort of Shameless panache that the earlier seasons had, but it bodes promising.
Who is America? doesn’t know if it wants to remain apolitical, embarrass right-wing figures, or take down the president – and its lack of focus is its downfall.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.