short film
Stephanie Archer covers eight documentary short films from Tribeca, compelling pieces that allow voices to be heard and provoke conversation.
Carmentis never runs out of ways to use the subversive potential of the sci-fi genre to articulate the loneliness and disorientation that haunt the film’s main character.
Three short films of Tribeca’s N.O.W. segment proved to be truly captivating and eye-opening.
Thankfully there are films like Solitary to shed a light on the injustices that dehumanize our citizens and poison our justice system.
Stephanie Archer reports on Tribeca Film Festival 2020 online, and reviews the animated short films curated by Whoopi Goldberg.
Cody Heller brings an inescapable vulnerability to her latest series Dummy, an honesty not typically seen in female driven stories.
How Far Is Home is a well-made documentary short film with good food for thought that doesn’t quite stick the landing.
Query is charming and thoughtful short film, and a refreshing take on an important conversation we should all be having more.
Despite a short runtime, Wives of the Skies packs a mighty punch when it comes to examining gender stereotypes. Lee Jutton reviews.
Xiaoyu Yang, director of the upcoming musical short film Another Beautiful Day in Paradise shares insider tips for first-time short filmmakers and film students.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.
Lovebites trusts its audience to make the connections, the empathy, and the call to action.
Manara is a thoughtful and quietly powerful short film, and feels particularly timely, deserving to be a part of the conversation
Stephanie Archer takes a look at 2020’s Oscar Nominated Documentary Short Films!