Sheffield Doc/Fest
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.
In our latest report from the Sheffield Doc/Fest 2020, Musanna Ahmed looks at Please Hold the Line and The Viewing Booth.
Our coverage of the 2020 Sheffield Doc/Fest’s continues with reviews of Shut Up Sona, The Go-Go’s and Bitter Butter.
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.
Now that Sheffield Doc/Fest 2019 is behind us, Musanna Ahmed takes to the fest’s Doc/Player and reviews five of the films on the streaming platform.
Musanna Ahmed had the opportunity to speak with director Luke Lorentzen about his award winning film Midnight Film.
Musanna Ahmed had the opportunity to speak with directors Waad al-Kateab and Edward Watts about their eye opening documentary For Sama.
Musanna Ahmed shares his first report from the 2019 Sheffield Doc/Fest, with reviews for Diego Maradona, War of Art, One Child Nation, Seahorse & more.
The Silence of Others reveals the struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. We spoke with directors Robert Bahar and Almudena Carracedo.
The Eyes of Orson Welles is an introspective look at the legendary man; in addition, we were able to talk with Mark Cousins, the director of the film.
%%excerpt%% The Insufferable Groo is an endearing and often funny profile of an amateur filmmaker who’s equally inspiring as he is narcissistic.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.
Lost Warrior dares to challenge viewers on ideas of rehabilitation and forgiveness through its compelling case study of a young family separated by a cultural identity crisis.
A Woman Captured is a haunting insight into the life of a modern slave; we were also able to talk with filmmaker Bernadett Tuza-Ritter about her experiences making the film.