Shailene Woodley
The GameStop short-squeeze of 2021 is dramatized in the rough and messy but ultimately entertaining “Dumb Money.”
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
A defense attorney, her associate and a military prosecutor uncover a far-reaching conspiracy while investigating the case of a suspected 9/11 terrorist.
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
In Endings, Beginnings, a woman (Shailene Woodley) navigates through love and heartbreak over the course of one year.
With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.
I had read Veronica Roth’s Divergent before the adaptation sauntered onto cinema screens, heralded as the next The Hunger Games, and what I discovered was that I preferred the film to the book. There was more action on show, and I felt that the film fixed many of the things I found problematic with the book’s narrative. So when I discovered that the book of Insurgent didn’t impress, I decided to bypass it and wait for the film.
Divergent’s a fun, entertaining movie, but it has a few flaws. We discuss whether the film lived up to the book, and its glorification of extraversion.