Promising Young Woman sacrifices its opportunity to deliver the ultimate revenge fantasy for something unexpectedly profound and, thematically necessary.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.