Oscar-winning producer Eva Orner crafts a portrait of manipulation that’s both engrossing and gross, a narrative more pertinent than ever in the era of the #MeToo and Time’s Up movements.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
Many audiences will likely shy away from the graphic depiction of abuse within director Jennifer Fox’s autobiographical film The Tale, but the film’s frankness is often its greatest asset.