Framing Britney Spears may not be the best documentary of 2021, but it sure to become the most relevant and vital in the fight for freedom and equality.
Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.
In Judy & Punch, Foulkes brings dimension and nuance to rather ancient customs, and places backwards-thinking and primitive male behaviour under the microscope of social justice.
9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.
On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
While many found the 2017 release of Blade Runner 2049 to be misogynistic, the perceived sexism within the film may be more than meets the eye as the movie turns out to express anxiety about the past and not the future and an avoidance of human society.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
Half Magic succeeds with the help of Graham’s stellar writing and direction, the cast’s adherence to Graham’s comedic and dramatic vision, and three central characters that serve as great role models to women of all ages.