sequel
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
The Ballad of Songbirds and Snakes and the rising popularity of YA, especially on TikTok, show that there is still a bright future ahead for YA adaptations.
Ultimately, Top: Gun Maverick preserves the atmosphere of a timeless era and places it in the modern-day, harnessing an infectious energy.
It is a well-made, multilayered murder mystery, whose appeal lies not only in its subversive story, but in its prescient ability to predict the future.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
While it may not live up to the bar set, Scream 2 delivers a solid sequel that not only expands the rules of horror but lays the groundwork for the trilogy.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
By examining these two films, audiences can come to terms with why this struggle against business practices in America has felt so small in past films.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
While The White Storm 2: Drug Lords is an entertaining piece of filmmaking, it just fails to engage in a way that its premise would have suggested.