science fiction
The Mandalorian is nowhere near the heights of many other prestige TV shows but at the very least it’s entertaining.
Moment to moment The Mandalorian is a quick show but on an episode to episode basis it’s exceptionally slow.
Anya does its best to provoke you into forming an opinion about the importance of conserving insular cultures through complex, nuanced filmmaking.
The Mandalorian isn’t the best thing on TV right now by a large margin, but as a Star Wars series, as a show for casual viewing there’s nothing wrong with it.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
Whether you’re writing a screenplay or simply hoping to add a little quantum oomph to your novel, this writer’s guide to quantum physics is perfect for you!
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.
Living with Yourself is as much as about the actual character living with another version of himself as much as it is about our own acceptance of the lives we live.
Lucy in the Sky is an absolute flatline, dragging to an anticlimactic ending. Noah Hawley might do best to stay in television.