science fiction
The Dark Tower may not be a complete disaster, but it has numerous flaws that weigh down what could have been an entertaining film.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The most absurd assumption about saying films “transcend genre” is that works of genre are somehow so trivial that they are apolitical.
Wonder Woman and Atomic Blonde have proven that women can have strong leading roles; here are more that show our favorite cinema heroines.
Marjorie Prime is a subtly effective and wondrous glance at the potential ramifications of the future of artificial intelligence technology.
Passengers, upon release, was panned as a misogynistic fantasy; but here’s why it might actually be more progressive than that initial take.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Matthew St. Clair discusses the soul of classic science fiction films captured in this years break out hit The Handmaid’s Tale.
Kurt Russell has charmed audiences through the years in a variety of films, from Disney to science fiction to more recent blockbusters.
It Comes at Night is a disturbingly effective horror film, delving into themes of paranoia, fear, and distrust in an eerily relevant way.
By the talented Jeff Nichols, Midnight Special is similar to the comic hero Superman, documenting how he would be depicted in the real world.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
We spoke with filmmakers Peter Stray, Craig Russell and Mark Price about their latest project, the very low budget sci-fi thriller CANARIES.