science fiction
Picture a world where women live in fear of men’s violent outbursts. This all too relevant scenario is where episode 7 of the Twilight Zone reboot begins.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
The idea of a future where women are valued only for their ability to repopulate doesn’t seem far-fetched today, giving Only an undercurrent of terror.
A rare superhero movie that highlights the ordinary alongside the extraordinary, Fast Color is a bold and breathtaking spin on the genre that deserves to be seen as widely as any movie released under the Marvel banner.
The fourth episode of The Twilight Zone revival suffers from some of the same flaws as the previous three episodes, but this might be the best episode yet.
Cannon Films attempted to get into the animation market in 1986 – and the result was a hated film that remains out of print to this day.
Three episodes in and the new Twilight Zone has been way too blatant so far, hopefully the remaining episodes aren’t as predictable.
Sonoya Mizuno is part of a generation of actors finally receiving interesting parts due to Hollywood’s growing celebration of diversity on screen.
Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.
While Peele’s The Twilight Zone is an improvement compared to the previous reboots, viewers are better off revisiting Serling’s original series.
We take a look back at motion capture technology, including its beginnings, its present uses, and the recent rises in de-aging technology.
With a premise filled with potential and talent both in front of and behind the screen, Captive State is an unfortunate disappointment.