science fiction
Surrealist comedy Nothing Really Matters involves nightmarish imagery and brimming uncertainty that makes you think of a David Lynch movie.
Another Life is a unique space drama, but unfortunately it fails to be an immersive experience like that of the genres it draws from.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Despite some design flaws, Astronaut sticks its landing enjoyably enough thanks to the command of Dreyfuss and a novel angle of attack.
In Bear Witness, episode 10 of season 3 of The Handmaid’s Tale, June’s back, she’s determined, and now, there’s a real chance at change.
Heading into the final part of the third season, decisions need to be made, soon, to solidify this show’s position. What’s the endgame? Who is June going to be?
Season 3 of Stranger Things reminds us why we love this show, and it’s not just the nostalgia, it’s the characters.
Alex Lines spoke with director Grant Sputore about his new film I am Mother, getting picked up by Netflix, the film’s influences and how to make an original sci-fi film in 2019.
Dark is still a time-traveling minefield, provoking characters to coast through time, evolve and alter their original impulses.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
Spider-Man: Far From Home has all the right stuff, tinkering with the superhero formula and reshaping what we’ve come to expect.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
The 5th season of Black Mirror is satisfying, but never reaches Charlie Brooker’s best work. Bree Duwin reviews.
The latest episode of The Handmaids Tale, “God Bless the Child” leaves you right where it wants you: seeking more.