science fiction
Gemini Man smears a lot of fancy tech all over an empty and tiresome thriller.
Invisibility. Camouflage. They are plot devices in many science fiction and fantasy stories, but do we have anything really like it in real life? How does it work?
The potential is there for Batwoman to soar, but it’s going to need some serious re-working before it can get its feet firmly off the ground and into Gotham City.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.
This TIFF 2019 report focuses more on the stranger side of TIFF, including the films Color Out of Space and The Long Walk.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
Despite the overt silliness of I Was A Teenage Werewolf, it might give us a useful way to think about the cultural impact of one Dr. Jordan Peterson.
We spoke with Russian director Vladislav Kozlov about his film The Killers, for which he was awarded “Best Director” at Rhode Island International Film Festival.
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.