sci-fi
Sputnik is a solid alien-driven thriller; it’s when it focuses on the more human elements to its story that it stumbles.
A forgettable military and horror thriller, Tom Paton’s Black Ops has all of the best intentions but fails to hit most of them.
As society becomes twisted and distorted in our actual lives, The Halt from director Lav Diaz now feels like a prophetic tale.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
With a clever use of eerie scenery and camera shots, The Endless is a vortex that goes full on wacky, without diluting its purpose, only strengthening it.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
THE SPACE BETWEEN US struggles to find its original voice amidst the plethora of recent space exploration movies.
Over at our official Facebook page, we are currently posting daily film recommendations with each week being a different theme. This week’s theme is the films of American director Don Siegel. Beginning his cinematic career making montage sequences for Warner Bros (most notably the opening of Casablanca), Don Siegel is quite an influential American auteur, redefining the sci-fi and crime thriller genres throughout his lengthy career.