sci-fi
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
With her second report, Kristy Strouse covers Cherry and Next Exit!
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
Mondocane would be a much more entertaining film if one wasn’t struck by the strange feeling we’ve seen most of this before.
On the first Inquiring Minds column, we dive into the recent science fiction Appletv+ hit Severance!
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Doctor Strange in the Multiverse of Madness is one of the messiest, most chaotic Marvel movies to date.
The Faculty may not be the cinematic horror masterpiece you are looking for, but it is definitely one of the more entertaining horror films around.
For setting low goals, Sonic the Hedgehog 2 mostly delivers what it promises for the fans and families.
Writer-director Riley Stearns brings his drier-than-dust sense of humor to the science-fiction genre in Dual.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
I dare anyone to watch the ending of The Iron Giant and test to see if their eyes stay dry. I know I wasn’t able to.
Waterworld is not perfect, it’s not as well-crafted and clever as the Mad Max franchise it’s clearly based on, but it is a great time.