sci-fi
It’s tough to be a sci-fi screenwriter in Hollywood — there’s a 90% chance that…
Killer Klowns From Outer Space is an amusing romp, remaining an imaginative sci-fi that excels in its effects and costumes bringing this sideshow to life.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.
Time of Roses has a keen eye for design and tells a prescient tale of the lie that hides within “The End of History”.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
The Black Demon is so bad that it actually ends up being great.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.