sci-fi
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
The focus of Dane Elcar’s micro-budget debut feature Brightwood is a relationship falling apart. Jen…
It’s tough to be a sci-fi screenwriter in Hollywood — there’s a 90% chance that…
Science fiction is a lot harder than it looks. On one end, the writers and…
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
For those with a nihilistic sensibility, there will be solace in the nothingness that comes from Smoking Causes Coughing.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.
Time of Roses has a keen eye for design and tells a prescient tale of the lie that hides within “The End of History”.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
The Black Demon is so bad that it actually ends up being great.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.