sci-fi
The “time loop” is a sci-fi cliché as old as the genre itself, but “Omni Loop” tries to put a new spin on the genre.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
With the recent temporary re-release of the Phantom Menace to honor its twenty-fifth anniversary, how does the film hold up?
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Verdugo and Davis’ tight and witty script shines through every scene, and like any good pilot Restorage leaves you wondering where we’re going next.
Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.
Divinity, written and directed by Eddie Alcazar, is a compelling sci-fi body horror, even though…
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
The focus of Dane Elcar’s micro-budget debut feature Brightwood is a relationship falling apart. Jen…