Sasha Lane
In Manhattan in the summer of 1979, a young man is arrested for a shocking crime, and an unlikely investigator must solve the mystery behind it.
Kristy Strouse includes audio of her interviews for the exciting upcoming Amazon original: Utopia.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.
Hellboy, caught between the worlds of the supernatural and human, battles an ancient sorceress bent on revenge.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
In The Miseducation of Cameron Post, a teenage girl is forced into a gay conversion therapy center by her conservative guardians.
Andrea Arnold is without a doubt cinema’s leading creator of stories depicting the trials and tribulations of working class women, with an entirely non-judgemental eye. Translating her social realist style across the Atlantic, keeping the inherent themes relevant to the lower classes intact, would seem close to impossible, although due to an unfortunate stroke of luck, the Presidential election has made the general idea of class in an overwhelmingly middle class country relevant yet again. Many audiences have been so transfixed by the way Arnold and her long-term cinematographer Robbie Ryan have captured the sweeping vistas of America, a world completely alien to the council estates of earlier films Red Road and Fish Tank, that they have seemed to ignore the fact this is unmistakably a distinctive piece of work.