Sarah Paulson
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
In 1930s Oklahoma amid the region’s horrific dust storms, a woman is convinced that a sinister presence is threatening her family.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
In Run, a home schooled teenager begins to suspect her mother is keeping a dark secret from her.
John Crowley’s adaptation of The Goldfinch lets down its source material and is, above it all, limp Oscar-bait.
In The Goldfinch, a boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the MoMA.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
There are successful films buried within Bird Box, but it refuses to build any identity as a film beyond its concept.
AMERICAN HORROR STORY: APOCALYPSE (S8E10) “Apocalypse Then”: A High, Octane Finale That Will Satisfy
Heightened by a rapid editing style and an insane body count, “Apocalypse Then” is the intense, high octane finale we have been waiting for.
With an ending in sight that seems almost too predictable, one thing is for certain, a showdown between Michael Langdon and the Coven seems inevitable.
There is a tiredness within American Horror Story: Apocalypse’s “Sojourn”, and its inability to reinvent the Satanic image.
American Horror Story’s “Traitor” was packed with old characters returning, answers and satisfying moments – yet there are still many questions that remain.
In Bird Box, a woman and a pair of children are blindfolded and make their way through a dystopian setting along a river.
Episode 6 was the episode we have all been waiting for – the “Return to…