Samuel Goldwyn Films
Let Us In attempts to recreate the feel of classic horror properties for children, only the results are not creepy, interesting, or original.
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
Though not flawless, All Creatures Here Below will likely have you both conflicted as much as moved by its events, in addition to stirring performances by Karen Gillan and David Dastmalchian.
A well-acted, mostly captivating, and wholly unpredictable noir, Back Roads is an impressive directorial debut for Pettyfer, who pulls double-duty in his strongest screen performance yet.
Mad To Be Normal should have been a film vibrating with R.D. Laing’s unique energy, but ends up being unfortunately unengaging.
Xavier Gens’ science fiction fantasy Cold Skin is a hotbed of promising concepts. The problem is, it doesn’t know what to do with them.