Saban Films
In the Fire (2023) is a captivating and thought-provoking cinematic experience that delves into the…
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
Though fundamentally flawed, De Palma’s latest film Domino offers fleeting glimpses of greatness that the iconic director once achieved.
Even as it skims too lightly over its complex themes, A Vigilante manages to capture a resilience and toughness that often goes unhailed on film.
Fast cars. Squealing tires. Roaring engines. Screaming fans — are all nowhere to be found in this dull as dirt car racing snooze-fest.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Between Worlds has potential in its more surreal moments, but it never utilizes the tension and conflict that could come from this story.
The Super has the occasional moment of great horror filmmaking – but not enough to make it a super film.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
Lizzie may be a fictional tale of a real-life crime that we will never fully know the truth of, but it sure is an intriguing and especially a well-designed one.