romance
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
WE’RE NOT MARRIED? Interview With Star Danielle Larracuente and Writer/Executive Producer Rae Lashea
Film Inquiry spoke with Danielle Larracuente and Rae Lashea for the film We’re Not Married!
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
Liu Jian’s Art College 1994 rejects these clichés and instincts, instead seeing youth in the face of art for what it is: blowing a lot of hot air.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
Imtiaz Ali’s Amar Singh Chamkila takes us through the life of one of the most loved and hated singers in Punjab, Amar Singh Chamkila.
Directors and fellow actors have come and gone, but Jonas Chernick remains, returning each year to the Glasgow Film Festival with a new cast and crew.
The Burning Season is an intricately told story of secrets, guilt, and lust, anchored by great chemistry between its co-stars, and a satisfying script.
Skin Deep remains a thought-provoking exploration and an impressive first feature using all the resources at its disposal.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
Which Brings Me To You is a heartwarming romantic comedy that strives to reach beyond the simplicity of love matches and mishaps.