romance
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
Hidden Kisses is a well-acted and well-crafted movie, but it still feels a bit overdramatic given the year of its release.
Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
Paul Verhoeven’s latest film Benedetta, based on the infamous 17th century, has the Catholic Church up in arms as it delivers the satire.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.