romance
Urotsukidoji: Legend of the Overfiend begins with all of its cards on the table, from the first scene it shocks and only increases from there.
Hirokazu Kore-eda’s 2009 fantasy-romance Air Doll is an introspective film where a blow-up doll begins to turn into a living woman.
Our Flag Means Death approaches queer content with all of the confidence and normality found in heteronormative culture.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.
SXSW is now officially wrapped! Here in Kristy Strouse’s final report, we take a look at The Man Who Fell to Earth and two short films!
In my fourth report from SXSW Film Festival 2022 I discuss the romance Stay the Night and horror Bitch Ass.
Pam & Tommy ends on seemingly hopeful note, one that is tainted by the knowledge of the future, as well as a new understanding of the scandal.
Shot in stark, high-contrast black and white, Fear is a no-frills film that relies on the strength of its script and central performances.
While some storylines were more engaging than others, the episode leaves you wondering, and worrying, about how its creators will end it all.
“Pamela in Wonderland” establishes an effective contrast between perceived happiness and success against a system and a society designed against women.
PAM & TOMMY (S1E5) “Uncle Jim And Aunt Susie In Duluth”: There Is No Stopping This Ticking Time Bomb
While Pam & Tommy opened to the euphoric bliss of a celebrity couple and marriage, the cracks have begun to show as the sex tape begins to gain steam.
Pam & Tommy’s “The Master Beta” contains a gut-wrenching ending, the perceived actions of Pamela and Tommy justified in the pain and agony of the moment.
While the series does find its slower moments in episode three, the performances of these two alone are the driving force to return for more.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.