romance
Suite Française is an adaptation of Irène Némirovsky’s novel of the same name. Prior to seeing the film I had no knowledge of its provenance, and will withhold this particular information for now lest it misinform how you read the rest of this review. As always, I will attempt to remain objective.
I have to admit, I was a little excited to see that a sequel had been made to The Best Exotic Marigold Hotel. I had liked it and was curious as to what had happened to the characters. But what is more, I went to see the first film with my grandmother and I knew how much she and her friends liked it.
In an article entitled “Why It’s Important to Make More Diverse LGBT Films,” fellow Film Inquiry writer Cherokee Seebalack lamented: “Where are all the LGBT romcoms at?” Where, indeed.
Fifty Shades Of Grey, it’s not often that so few words can spark so great a societal reaction. And to be honest, it is because of this very reason that I went to watch this film. I didn’t read the books, I didn’t care to.
Known as an early work of naturalism, Miss Julie is a story of a Baron’s daughter who makes advances toward her family’s valet, Jean. One midsummer’s eve, tensions escalate between three characters: Miss Julie, Jean, and his fiance, Christine.
The nights are drawing in, the stockings are hanging from the fireplace, and the shops are starting to fill with hordes of panicked shoppers. Yes, it’s Christmas, and that inevitably means it’s time to get into the spirit of the Christmas movie. No other film genre has formed itself more strongly out of a time of year.
The Theory of Everything is the story of Stephen Hawking, reflecting his life from his early 20’s until decades later after he had become a world icon. It is at times overly romanticized, and tends to overlook certain elements of Hawking’s disease in order to instead focus on the obvious triumphs of his life. It is still a worthy film, though, and this is mostly due to Eddie Redmayne’s fantastic performance.
Animism is the belief that inanimate objects have souls. In a way, it’s self-reflective as people often project themselves upon many things. Many movies share this view as produced by such companies as Disney and Pixar.
A predominantly accelerated 15-year-old called William Miller (Patrick Fugit) is embarrassingly out of sync with his snarling high-school mates. His mother Elaine (Frances McDormand) is an English teacher who worries about William’s influences and invites rowdy laughter from his classmates when she shouts, “Don’t take drugs!” to him while dropping him off.
Time travel can be a tricky plot device. Stories can defy their own time travel rules or become so convoluted that you struggle to follow it at all. With the hundreds of movies that feature different aspects of time travel, it can also be difficult to bring a fresh, original idea to the screen.