romance
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
The Lovers is an alternative romance that considers the harsh reality that maybe one love isn’t forever, and is simply the stuff of movies.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Everything, Everything follows Maddy, who has spent her entire life confined to her home due to an illness, but falls for the boy next door.
Although the idea of reimagining Pride & Prejudice with a same-sex couple, Before The Fall lacks the fiery spirit of the source material.
Music, improvisation and intimacy: these are the ingredients that have made Derek Cianfrance’s films such emotionally-satisfying treats.
Pickpocket (1959) is an intricately staged, intimate character study from Robert Bresson – solidifying itself as one of his greatest works.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
The Fallen Idol is a fascinating look at adultery through the eyes of an innocent child, and has had a long-standing legacy as a result.