romance
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
Film Stars Don’t Die in Liverpool is not a faultless affair, but the central love story and performances make up for its minor flaws.
While lovely looking and with great performances, Porto ‘s characters are so underwritten it is hard to connect with them or understand them.
A reworking of The Little Mermaid, Agnieszka Smoczynska’s The Lure is quite a unique and often spectacular cinematic treat.
An Oscar worthy documentary, Dina is an entertaining film unique in its portrayal of the people behind the autism label.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.
The Mountain Between Us, a tale of two strangers (and a charming dog) who find…
Hollywood is not the only city to leave a lasting mark on the world of…
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Literally, Right Before Aaron is a hugely entertaining romantic comedy which doesn’t shy away from the awkward realities of real life.
Thirst Street may be deficient in the character department but it more than makes up for it with its stylishly vivid visuals.
The Wilde Wedding is host to such a large ensemble that no plot or joke lands, and sadly suffocates the talent of all involved.
It’s abundantly clear that Year By The Sea is composer Alexander Janko’s directorial debut, as its characters are underdeveloped and predictable plot-lines are lost amidst the beautiful scenery of Cape Cod.
Is This Now is a perplexingly bad movie, rife with awkward tonal shifts, poor camerawork, unbelievable acting, and a very unfitting ending.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.