romance
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Despite a strong beginning and strong performances, Siberia is ultimately a confounding mess of genres and tone.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.
In many ways, Hooked is a crucial film that sheds light on a pervasive issue. Still, though, it seems as though there was more lurking beneath the film’s surface.
During its best moments, Set It Up slaps a goofy smile on your face while delivering simple comedic pleasures and worth the watch for Deutch and Powell alone.
While fairytale romances feature in tons of Bollywood films, Lust Stories gives insight into the modern Indian woman and the role she plays.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
An exhausting watch, Racer and the Jailbird never figures out which direction it wants to go in, never forging a true sense of character.
While lacking the effervescence of his previous film Claire’s Camera, Sang-soo Hang’s The Day After has a mournful cloud that hangs over this digital monochrome display of admirable honesty.
While cathartic in the emotional expression of the finality of death, Irreplaceable You fails to be memorable, forgotten long after the credits have rolled.
Haifaa al-Mansour’s Mary Shelley, helped along greatly by Elle Fanning’s powerful performance, will summon up all of one’s righteous feminist anger and make one appreciate the accomplishments of Mary and those like her all the more.
Lacking emotional honesty, Disobedience from director Sebastián Lelio fails to create believable, organic tension between its characters and translate an understanding of the films primary cultural focus and subject matter.
Obey is a compelling watch anchored by visceral, emotional performances by Rutherford and Miller, and a well-crafted script by Jones.
Though Duck Butter’s attempts to distinguish itself in an overloaded genre are admirable, it is unfortunately too undercooked to be a fully-fledged success.
Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.