romance
A happy accident spit out the low-budget Hollywood machine, Teen Witch is compelling in a way that no individual person could pull off on their own.
Within the past year, Netflix has released a slew of Christmas movies to their platform; we take a look at this rising trend in streaming.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
A Moment in the Reeds uses strikingly intimate storytelling to give an important voice to the struggles of sexual and ethnic minorities in our society.
A comedy with Haddish, Sumpter and Goldberg is a nice idea, but Nobody’s Fool soon makes you realize that you have been cat-fished.
Write When You Get Work can be sweet, and there are semblances of earnest intentions, but overall it feels tame.
With the strong talent behind the film, it isn’t hard to find things not to enjoy about the Stella’s Last Weekend.
Though an honest take on dating today may be In a Relationship’s aim, the lack of tension in how it explores the landscape leaves the relationships limp, flat, and more predictable.
In this first edition of She Looks Back, we take a moment to look back at the Hitchc*ck inspired Last Embrace from director John Demme – a film that deserves a second look.
Led by a sheepish Daisy Ridley performance, Ophelia, a revisionist take on Hamlet, doesn’t have the feminist credentials it thinks it does.
Most romantic comedies follow a definitive structure; here we break down the steps that are usually involved to make the film successful.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.