romance
In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
A big crowd-pleasing comedy that truly delivers, The Trouble With You is simply a very funny film with a very large heart.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
While Photograph is frequently too slow to engross yourself in, it’s unique and intriguing enough to carry interest.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
Long Shot is a tight, funny, and warm comedy with a ton of heart and two fantastic performances at its center.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
While bowing out to a mostly satisfying conclusion, Shadowhunters did enough to quench our desire for more.