romance
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Ever week, we take a look at an LGBTQ+ film that gave their characters a romantic happily-ever-after. This week: the German film Silent Youth.
Stephanie Archer spoke with writer/director Mike Doyle about his film Sell By, ice cream trucks and his success with diversity.
Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
While absolutely absurd, See You Soon is as sweet, fluffy and bad for your brain as cotton candy – and yet it’s also weirdly enjoyable for all of those reasons.
A Faithful Man is a charming farce that only the French could pull off, combining all of the best elements of vintage romances with a thoroughly modern take on gender roles.
Ang Lee has won both awards and critical acclaim for his portrayals of gay couples in Brokeback Mountain and The Wedding Banquet, yet both are flawed.
Fun Down There defies the conventions of storytelling through its radical depiction of a couple who is non-monogamous on screen – and to do it so calmly is unheard of.
Days of the Whale is a wonderfully engaging and weighted debut by Catalina Arroyave, showing she’s a filmmaker to watch out for.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
Told from a female perspective, and benefitting from a seminal performance by Daisy Ridley, Ophelia rewrites history in a more favorable light.
Only You flips our expectations of a whirlwind cinematic romance to offer a painfully realistic look at the struggle to start a family.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.