romance
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
First Love mixes and matches generic elements freely and playfully, making it impossible to pin down into one category.
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.
In this TIFF 2019 report, David Fontana reviews four foreign films: Ordinary Love, Easy Land, August, and Dirt Music.
Marriage Story is amongst Noah Baumbach’s finest works; it is sympathetic and charming, while containing some career-best performances by Scarlett Johansson and Adam Driver.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
Céline Sciamma’s tender masterpiece paints a portrait of visual poetry, of what happens when art intersects with love for a fragment of time.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Ever week, we take a look at an LGBTQ+ film that gave their characters a romantic happily-ever-after. This week: the German film Silent Youth.
Stephanie Archer spoke with writer/director Mike Doyle about his film Sell By, ice cream trucks and his success with diversity.
Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
While absolutely absurd, See You Soon is as sweet, fluffy and bad for your brain as cotton candy – and yet it’s also weirdly enjoyable for all of those reasons.