romance
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
With the series now concluded, if there’s one thing that The Good Place has taught us is that we shouldn’t give up on trying to be better.
A Fall From Grace, a 2-hour phoned-in schlock, proves that when Perry mentions his film wrapped in less than a week, he is not exaggerating.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
Story stumbles aside, You delivers on all the hot, steamy intrigue that we came to love in the first season.
Atlantics tells the story of the women who are left by their men as the latter migrate to seek work, and it tells that story beautifully.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Jim Dixon spoke with filmmaker duo Jacob Akira Okada and Carylanna Taylor, Ph.D., about their romantic science fiction film, ANYA.
Make The Yuletide Gay is a light, fluffy holiday movie that makes you happy, which is exactly what you want when watching this kind of film.
Weathering with You, the latest film from Makoto Shinkai proves that he is one of the most delightfully unique voices working in the world of animation today.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
We discuss the films Eternal Sunshine of the Spotless Mind and Arrival, in reference to how they deal with complicated ideas of fate and free will.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.