romance
Hillary Shakespeare’s Soundtrack to Sixteen is a concise and delightful examination of teenage insecurities with great performances and strong writing.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
Despite Martin Eden being only two hours, it is so densely packed with a cosmos’s volume of emotion and life, that it is as epic as any Sergio Leone or David Lean film.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Alice Wu’s The Half Of It is a tender teen romance and a nuanced take on sexuality and friendship. Andrew Stover reviews.
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
Despite a short runtime, Wives of the Skies packs a mighty punch when it comes to examining gender stereotypes. Lee Jutton reviews.
Esteros is a sweet, simple love story about two former lovers who reconnect as adults and discover that the feelings they had for each other never went away.
Season four of This Is Us is still focused on the dynamic inside our beloved Pearson family, while introducing new characters along the way.
I Still Believe’s Melissa is the manic Christian dream girl who tempts lovestruck men toward salvation.