romance
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
In his first report from SXSW Film Festival, Soham reviews I’m Fine (Thanks For Asking), Language Lessons and Islands!
A fun, sexy, romantic comedy, Just Friends is a Dutch TV movie about two young men falling in love.
Happily breathes new life into a story we have seen too many times through its unique twists to the classic structure and charming performances.
One hopes that this new restoration reignites interest not just in the film, which is an absolute masterpiece, but in the career of Ruan Lingyu.
Queerly Ever After looks into the 2006 teen romantic-comedy The Curiosity of Chance, where a new guy tries to find his place in a new school.
Queerly Ever After #46 analyzes 2015’s Akron, where two young men find love despite a tragedy that links their families together.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
On an all-new Blindspots, Jake and Kristy celebrate their tenth episode milestone with another special double episode coinciding with Valentines Day.
Another Earth, Mike Cahill’s sci-fi romance celebrating its tenth anniversary, is multifaceted and deeply layered.
A Ghost Waits won’t provide too many chills and scares, but it will provide a well-crafted, tonally ambitious narrative of love and loneliness.
In her last report from Sundance Film Festival, Kristy Strouse reviews four more, very different (tonally and subject-wise), films.