romance
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Looking at the legacy of Gorō Miyazaki’s best film, From Up On Poppy Hill, which was written by his father, the legendary Hayao Miyazaki.
In rapid succession over the past couple of years, the cinema of Hong Sang-soo has…
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
Astonishingly, Feel Good Season 2 gets darker and more uncomfortable without abandoning its humorous reprieves.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.
In the latest installment of Queerly Ever After, we take a look at 2013’s Five Dances, a film about two men who find love in a dance studio.
In the film’s approach to try depicting its scandalous central relationship as naturally occurring as possible, Wet Season sacrifices narrative or emotional thrust.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
Better Days often feels like an extremely bleak after-school special. But thanks to remarkable performances, it’s worth sticking with to the bitter end.