romance
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.
Bye Bye Love stands on its own as one of the most vibrant and energetic films of the Japanese New Wave.
Aly is a perfect example of a short film done right, a simple idea, executed with grace.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
WE’RE NOT MARRIED? Interview With Star Danielle Larracuente and Writer/Executive Producer Rae Lashea
Film Inquiry spoke with Danielle Larracuente and Rae Lashea for the film We’re Not Married!
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
Liu Jian’s Art College 1994 rejects these clichés and instincts, instead seeing youth in the face of art for what it is: blowing a lot of hot air.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
Imtiaz Ali’s Amar Singh Chamkila takes us through the life of one of the most loved and hated singers in Punjab, Amar Singh Chamkila.
Directors and fellow actors have come and gone, but Jonas Chernick remains, returning each year to the Glasgow Film Festival with a new cast and crew.
The Burning Season is an intricately told story of secrets, guilt, and lust, anchored by great chemistry between its co-stars, and a satisfying script.