Robbie Amell
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The Babysitter is perfectly trashy popcorn entertainment, with a distinctive, highly-stylized vision and self-satirizing bite; a lesson in embracing genre conventions rather than falling victim to them.