Richard Jenkins
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
As darkness falls outside the crumbling building, mysterious things start to go bump in the night and family tensions reach a boiling point.
Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn.
We explore how Guillermo del Toro’s Oscar nominated period piece The Shape of Water accurately reflects the prejudices still held in contemporary American society.
The Shape of Water, Guillermo del Toro’s 10th feature, is loaded with qualities to praise, including beautifully-lit cinematography, a haunting score, and exceptional performances, but as a whole it’s not quite as impactful as it could’ve been.