Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
With all its success over the year and its deep political, racial and socio-economical undertones, and Oscars just around the corner, it seemed an appropriate time to dive back into the horror that is Get Out.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.