revenge
Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
While tiptoeing on the line of empowering and exploitative, Flower is an unconventional teen film for a new generation that finds its true strength in in its leading lady Zoey Deutch.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
With all its success over the year and its deep political, racial and socio-economical undertones, and Oscars just around the corner, it seemed an appropriate time to dive back into the horror that is Get Out.
Diane Kruger carries In the Fade on her leather-clad shoulders and ensures that you’ll walk away from the film feeling absolutely rattled.
We spoke with Sean Meehan, director of short film Lost Face, based on a Jack London short story, set in frozen mid-1800’s Russian-America.
The Killing of a Sacred Deer is an exploration of revenge and retribution, with one of the most brutal endings you will ever lay eyes on.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.
While neither boring or a laugh-riot, Crash Pad is a perfectly fine and forgettable way to pass ninety minutes.
Jackie Chan is in peak form in The Foreigner, and handily wins you over despite the film’s dated source material.
While not as memorable as other spy-thrillers, American Assassin is entertaining and solid enough with high intensity and relentless action.
With strong performances and flawless filming, The Villainess briefly losses its identity before concluding with a stunning finish.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
Once Upon A Time In Venice is clearly a film made by cinephiles, but the scattered subplots and underdeveloped characters combine for an overall misfire.