revenge
Aaron Harvey spoke exclusively with Film Inquiry about his latest film, revenge thriller Into The Ashes.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
Even as it skims too lightly over its complex themes, A Vigilante manages to capture a resilience and toughness that often goes unhailed on film.
Kidman and Kusama work impeccably together in Destroyer to create an anti-heroine who can shoulder the weight of a familiar genre while rarely giving in to easy tropes.
In this Beginner’s Guide we dive into the works of South Korean director Park Chan-wook, who is best known for his excessive and notorious use of extreme violence.
Polterheist fails to succeed as a comedic or horrifying film, finding no progression of plot but rather further perpetuates racism, misogyny and homophobia.
Disappointingly, Peppermint is a film that feels thrown together, poorly edited and overly clichéd, with a failed take on the female vigilante.
With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
Yardie is loaded with Idris Elba’s enthusiasm, but feels decidedly less confident in the wake of other recent directorial debuts.
Despite its strong beginning and its tangled plot and hard-to-ignore plot holes, the Norwegian thriller Revenge is an enjoyable film.
Upgrade a gleefully nasty film that relies on a unique mixture of futuristic beautiful landscapes and old-school grindhouse fun.