Released in 1944, Vincente Minnelli’s charming, evergreen musical Meet Me In St. Louis once accompanied the country’s drudging attachment to World War II.
Sátántangó is the kind of film that so few filmmakers have the opportunity to make, and even fewer are given the chance to have them shown and cared for so widely.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.