remake
The problem is not only that The Jesus Rolls doesn’t work as either a Lebowski spinoff or a Going Places remake, but that this movie barely works as anything.
Downhill skews and scraps the richness of its predecessor and replaces it with dragging drama and cringy comedy.
The best moment in this 2020 rendition of The Grudge is when the title card…
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
While not as subversive as Holland’s cult classic, Klevberg’s polished Child’s Play is a delightfully vicious ode to its campy origins.
The Hustle is a female-driven remake that features two household names – it may look appealing, but don’t let it deceive you – it’s a con job in itself.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
All art inspires other art. By telling stories, filmmakers impact people all across the world,…
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
Many will enjoy watching Gina Rodriguez in a silky red dress armed with an AR-15 – she hits what she is aiming at, but Miss Bala misses its mark.
Cold Pursuit is a rare English-language remake that actually works; a solid genre entry that knows what it wants to do, and does it damn well.
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.