Reed Morano

THE RHYTHM SECTION: Not Quite Right
THE RHYTHM SECTION: Not Quite Right

The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.

THE RHYTHM SECTION Trailer
THE RHYTHM SECTION Trailer

In The Rhythm Section, a woman seeks revenge against those who orchestrated a plane crash that killed her family.

I THINK WE’RE ALONE NOW: An Unusually Intimate but Ultimately Empty Post-Apocalyptic Drama
I THINK WE’RE ALONE NOW: An Intimate But Ultimately Empty Post-Apocalyptic Drama

I Think We’re Alone Now is a beautiful slow burn drama with a beautifully eerie atmosphere and striking performances from Dinklage and Fanning, ruined by an unruly mess of a third act.

I THINK WE'RE ALONE NOW Trailer
I THINK WE’RE ALONE NOW Trailer

In I Think We’re Alone Now, the apocalypse proves a blessing in disguise for one lucky recluse — until a second survivor arrives with the threat of companionship.

Meadowland
On Grief: MEADOWLAND And THE DISAPPEARANCE OF ELEANOR RIGBY

Films deal with universal emotions such as love, hate, or sadness. Some deal specifically with grief, whether it be a lover moving on, a friendship ending, or the loss of a parent. Two films in recent years, The Disappearance of Eleanor Rigby (2014) and Meadowland (2015), have dealt with the loss of a young child and the effect on the parents.