racism
There are a lot of movies that like to take on public issues silently, hiding them in the background. Marisol is not one of those films.
Uproar, directed by Hamish Bennett and Paul Middleditch and written by Hamish Bennett, and Sonia…
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
CJ Hunt’s The Neutral Ground explores the political opposition and the debate surrounding Confederate statues across the US.
Shadows is a snapshot of a long gone period, embracing the brash and unfiltered attitude of its era by refusing to omit its mistakes.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
Director Franco Rosso’s film Babylon is a hidden gem when it comes to authentic explorations of institutional racism and the immigrant experience.
Musanna Ahmed spoke with director Mark Jackson about his film This Teacher, co-writer Dana Thompson and star Hafsia Herzi, and more!
This Teacher isn’t a commercial film in its treatment of character, theme and aesthetic. But it’s one that deserves a mainstream audience.
How Far Is Home is a well-made documentary short film with good food for thought that doesn’t quite stick the landing.
Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.
Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.
While Reichardt seems to be well intentioned here, First Cow falters by being frustratingly empty in both its delivery and narrative focus.