race
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.
We spoke with RaMell Ross, director of Hale County This Morning, This Evening, about the fluidity of documentary, the representation of blackness, and more.
The Hate U Give is an important film; it understands the suffering poor communities go through, and how economic circumstances can enflame racial tensions.
Monsters and Men is beautifully directed, but it lacks focus, as its choppy and undeveloped structure soon distracts from the matter at hand.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.
Some reviewers have called Blindspotting a buddy comedy, but that couldn’t be farther from the truth – this is a film designed to make you uncomfortable.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
Sorry To Bother You is an intelligent, batshit crazy satire that offers plenty of the theater of the absurd, a standout performance from Lakeith Stanfield, the most original script of the past two years, and plenty of laughs and food for thought.
With poignancy, grit, and proficiency, Sweet Country gazes out at the vast Australian outback while also deeply examining the darkness of humanity within.
In a time where footage of police assault and murder is a regular occurrence, we…
Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.
Gook is an irresistible film that manages to breathe new life into a narrative set within the confines of this particular historical setting.
Bad Rap documents the hard time Asian Americans have getting into the American hip hop scene, but should’ve offered a deeper exploration.