race

THE UPSIDE: Not A Lot Of It

The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.

Interview With HALE COUNTY THIS MORNING, THIS EVENING Director RaMell Ross
“How Do I Suspend The Meaning Of Blackness?” Interview With HALE COUNTY THIS MORNING, THIS EVENING Director RaMell Ross

We spoke with RaMell Ross, director of Hale County This Morning, This Evening, about the fluidity of documentary, the representation of blackness, and more.

THE HATE U GIVE: An Honest Portrait of how Anger Begets More Anger
THE HATE U GIVE: An Honest Portrait Of How Anger Begets More Anger

The Hate U Give is an important film; it understands the suffering poor communities go through, and how economic circumstances can enflame racial tensions.

MONSTERS AND MEN: Frustrating But Subtle & Complex

Monsters and Men is beautifully directed, but it lacks focus, as its choppy and undeveloped structure soon distracts from the matter at hand.

Fantastic Fest Review: MID90s: Jonah Hill Graduates with Honors
Fantastic Fest Review: MID90s: Jonah Hill Graduates With Honors

In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.

BLINDSPOTTING: A Poem About Modern Police Brutality
BLINDSPOTTING: A Poem About Modern Police Brutality

Some reviewers have called Blindspotting a buddy comedy, but that couldn’t be farther from the truth – this is a film designed to make you uncomfortable.

MADELINE’S MADELINE: A Wild Ride Into One Girl's Tortured Mind
MADELINE’S MADELINE: A Wild Ride Into One Girl’s Tortured Mind

With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.

SFIFF Review: SORRY TO BOTHER YOU: Purely Imaginative, Entirely Original, Wholly Entertaining
SFIFF Review: SORRY TO BOTHER YOU: Purely Imaginative, Entirely Original, Wholly Entertaining

Sorry To Bother You is an intelligent, batshit crazy satire that offers plenty of the theater of the absurd, a standout performance from Lakeith Stanfield, the most original script of the past two years, and plenty of laughs and food for thought.

SWEET COUNTRY: Magnificent Australian Western Touches on Universal Themes
SWEET COUNTRY: Magnificent Australian Western Touches On Universal Themes

With poignancy, grit, and proficiency, Sweet Country gazes out at the vast Australian outback while also deeply examining the darkness of humanity within.

LA 92
LA 92: A Tragic Moebius Strip

In a time where footage of police assault and murder is a regular occurrence, we…

STRONG ISLAND: A Haunting Look at Loss, Race, and the Justice System
STRONG ISLAND: A Haunting Look At Loss, Race & The Justice System

How might a predominately white community wield its power to dismiss a black life? The documentary Strong Island offers unsettling answers.

DETROIT: A Relevant Riot Revisited
DETROIT: A Relevant Riot Rife With Controversy

Detroit to be an eye-opening, courageous piece of film whose subject manner is a timely reminder of our lack of societal change.

GOOK: A Character Study with a Raw Emotional Power
GOOK: A Character Study With A Raw Emotional Power

Gook is an irresistible film that manages to breathe new life into a narrative set within the confines of this particular historical setting.

DAUGHTERS OF THE DUST: A Dreamlike Vision That Still Rings True
DAUGHTERS OF THE DUST: A Dreamlike Vision That Still Rings True

Julie Dash’s 1991 debut still feels like an eye opening experience when viewed over 25 years later- you need to let it in to your life.

BAD RAP: A Hip-Hopumentary That Fails To Get Under The Skin Of Its Subject Matter
BAD RAP: A Hip-Hopumentary That Fails To Get Under The Skin Of Its Subject Matter

Bad Rap documents the hard time Asian Americans have getting into the American hip hop scene, but should’ve offered a deeper exploration.