Quvenzhané Wallis

In an era when Hollywood is running out of ideas more than any other previous point in its century-long history, the big studios’ desire to unnecessarily remake everything grows even more unwelcome. It’s not that good remakes can’t be made (after all, The Departed, The Fly and a Fistful of Dollars all exist), but modern audiences are so skeptical of remakes that they tend to stay away in droves. The remakes only seem to happen presumably so that the studios can maintain the copyright to the originals and continue to make heaps of money.